If this is for a track in your song that is mostly buried in the mix, I would agree that a dynamic eq would be fine, but if this is for an important track like a lead vocal you may find you get a higher degree of control and better results with one of these "manual" tedious methods. If there are, you may have to slightly adjust the edges of the soundbite "inward" and then apply a crossfade by clicking at the top of the junction and sliding the mouse sideways. AFTER it sounds right, listen carefully to the beginning and end of the phrase to make sure there are no clicks. Of course, if it doesn't sound right hit undo and try again. Choose the eq you want to use, adjust the settings to taste, then hit "apply". Select the soundbite and go to the audio menu and choose the function to apply a plugin. If you do not need any variation of boost within the boosted phrases, you can use this method instead: Use "Command Y" to select a phrase in the SE window to separate into its own soundbite. By clicking on the line, create "0" points at the start and end of the phrase, then create as many points as you wish between the 2 zero points and drag them up for as much boost as you want. Then go to the SE window and find phrases where you want the boost. This will draw a straight line of automation set to 0 through the whole song. Take a snapshot of the effect window at the start of the song with the filter gain set at 0. Put one of DP's stock ParaEq plug-ins on the channel and set a band with the filter width, type, and frequency that you want to boost.
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